In addition to Miles Davis, which musicians embraced the hard bop jazz style in the 1950s?

In the 1950s, hard bop emerged as a distinctive style of jazz that sought to incorporate elements of rhythm and blues, gospel music, and blues, diverging from the cool jazz approaches that preceded it. Clifford Brown and Max Roach were key figures in this movement.

Clifford Brown was celebrated for his virtuosic trumpet playing and lyrical approach to improvisation. His collaborations, particularly with drummer Max Roach, showcased the essence of hard bop through their intense rhythms, complex harmonies, and a greater emphasis on collective improvisation. Their work together resulted in influential recordings that exemplified the energy and emotional depth characteristic of hard bop.

In contrast, the other choices include musicians who either did not primarily engage with hard bop or were more associated with other jazz styles. For example, John Coltrane and Herbie Hancock, while they had connections to hard bop, are often more recognized for their later contributions to modal jazz and fusion. Louis Armstrong and Duke Ellington are legendary figures whose work predates the hard bop era, focusing instead on earlier forms of jazz. Count Basie and Stan Getz, while significant in their own right, did not embody the hard bop style in the same way Brown and Roach did. Therefore